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It would be wrong to pigeonhole Derek Trucks as a southern rocker despite his ongoing day gig as the Allman Brothers Band's second guitarist. On his fourth solo album (actually recorded before his third, 2002's Joyful Noise) the young slinger shows what he's made of, and it's not barbeque and bourbo...

With the live EnRoute, recorded at New York's Blue Note, guitarist John Scofield returns from the jam-band wars in challenging high style, leading a trio for the first time on record in more than 20 years. With his strong blues and funk sensibility, Scofield has always been the jazz guitarist most l...

That's What I Say, pays tribute to the legendary Ray Charles. It ranges from lesser-known Charles gems to some of his most signature tunes. Scofield crafts each tune in his own distinctive style, putting his indelible stamp on every performance....

The rather plainly named Medeski Martin & Wood have almost single-handedly returned the spotlight to the more out-there fusion between bop jazz and on-the-one funky rock music. Wheezing and huffing behind a bank of old-school keyboards, Medeski Martin & Wood plow into their songs with abandon. The d...

Although not clearly stated in the title, this is a compilation of the soul-jazz-funk-jam band's songs aimed primarily at those new their sound. The album highlights Soulive’s more upbeat improv tendencies and their genre-stretching abilities. Comprised only of drums, guitar and keyboards (bass ...

Dance of the Drunken Master...

Saxophonist Karl Denson makes no bones about the fact that he plays a funky jazz tailor-made for people to get their groove on--and never more so than on The Bridge, an album that strays far from his jazz roots. Already known for his love affair with funk, both as a solo artist and as a member of th...

A thriving band of experienced groove tradesman led by Chicago saxophonist Mars Williams, Liquid Soul meld hardcore funk, hip-hop, R&B, and what was once called acid-jazz into a steaming potpourri of modern dance music. The band consistently embrace new, turntable-infested rhythm collisions and old ...

On Super Heavy Organ, Robert Walter is in able company as he constructs what he calls "soul jazz". For one thing, there’s the rhythm section, culled from the finest of the New Orleans old and new guards: Johnny Vidacovich and Stanton Moore, respectively. Although they don’t join up on these trac...

I Can See Your House from Here...