What Happened to Television?

The grooves are as tight as ever, and adding vocals to a few tracks really helps keep the entire disc fresh.

Stumbled upon this group, in particular this CD, tunneling through Amazon's nested referrals to alternative top 40 funk. This is one to get.

Unfortunately the rest of their work does sound like the kind of generic sounding funk music you would've heard provided as ambience walking into a Chicago bar or off road night club back in the '70's.

What Happened To Television changes that up considerably and creates a more distinctively upbeat almost quirky, fresh and unique sound to this style of music. The vocals and melody structure included on this album is what sets this CD apart from the rest of their work. How Glad I Am seems like a trippy retro, almost tongue in cheek homage to '70's local truck stop AM radio by way of CW McCall. And the scratchy James Brown and party style Sly and the Family Stone vocals makes you want to just get down and shake your booty.

I would say this album has quite a few hits that would improve upon current musical tastes and styles provided on today's top 40 and even give 'em run for their money if they would just play it over broadcast radio. Not going to hold my breath on that ever happening which is why I seek out new music with some originality here at Amazon.

This is definitely a keeper. I only hope and wish their next album has the same unique and quirky sound as this one because this is the only one I'm going to buy from them so far.

This is yet another record of incredible instrumentation as every track makes your tail shake. It is one of those desert island recordings that I will be happy hearing decades from now. All of the guest stars were great and added a wonderful variety.

This album is about as hot as they come. I have never written a review before but Greyboy forced me to with this one. Trust me; buy it. These guys give it to me exactly how I need it: super funky with extra soul. The Greyboy Allstars are as good as it gets in this genre.

This is some excellent music... worth every penny. It's hard to stop listening to it!

I bought this album on the strength of "V~Neck Sweater" a song that was included in a PASTE magazine sampler. I admit that I'd never heard of this band prior to hearing that song. "V~Neck Sweater" is the best song on the album. "Give the Drummer Some More" is not bad & neither is "How Glad I Am". Most of it sounds like warmed over 1970's era FUSION. I doubt if I'll ever play this CD again.

It took several years, but the GBA has finally come out with another fantastic album. Unless you are dead, buy this album.

Seem to recall that it's been a decade since the last studio album.And it does seem that Karl Denson and his group have learned some serious stuff about funk on 'What Happened To Television?',not that they hadn't when the hard grooves of A Town Called Earth came out.But only some of these songs,as a reviewer of that CD pointed out use that "same old" blues chords.Most of it is square in the mold of JB's variety funk and it certainly does do that job even better yet again.But there are deeper grooves;"Deck Shoes" digs deep into the bass while the quizical vocal stylings of Blue Notes Living Sisters add a spark to "How Glad I Am".The last four tunes do something serious-Zak Najor's drums just take the band to a million places in several minutes on "Old School Cyclones",the type of funk fusion that will have you glued right in.On 'Knowledge Room" Mr.Denson himself gets a chance to freak out on sax and again gets the band on the same roll with him.Robert Walter's punchy keys really draw out the very beautiful smooth funk of "Pigeons Under Water",but only before the band close out everything with the pounding call-and response groove of "Give The Drummer Some More".The Greyboy Allstars have too much funk overload in the case of The Meters and The JB's:sometimes melody does get sacrificed for the sake of a killer groove.But that doesn't mean this music is'nt filled with unbeatable hook after unbeatable hook.So I give them a lot of credit for maintaining the funk successfully.

Just listened to this today (via their one-day album streaming on their site), and it's another great batch of funky, jazzy, goodness, perhaps even better than their previous efforts. Of course, with the members having had 10 years to do their own thing in the meantime, it's no surprise that this is such an enjoyable listen. If you've liked their previous efforts, or any of their solo stuff (Robert Walter and Karl Denson come most prominently to mind), don't hesitate to grab this one up. Definitely a worthy purchase for fans of jazz-funk! A+